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Rams Head Presents

Marty Stuart and His Fabulous Superlatives

Event Information

VIP Add-On available!

VIP Add-On includes:
- Admission to a private pre-show event at the venue featuring a performance by Marty, along with a Q&A Storytelling session with Marty and Band.
- One VIP Laminate
- Crowd Free Merchandise Shopping
- Exclusive Signed VIP Poster
- VIP Experience will begin approximately one hour prior to door

$1 from every ticket sale will be donated to Marty Stuart's Congress of Country Music In a career spanning over 50 years, dozens of albums, and too many shows to counts, Marty Stuart still charts a course through new music territory at every possible change. The five-time GRAMMY® Award winner, Congress of Country Music Founder, Country Music Hall of Famer, and AMA Lifetime Achievement Award recipient has left an indelible mark on successive eras of country music and culture. He went from accompanying Lester Flatt and Johnny Cash to launching a storied solo career highlighted by classic albums such as the Gold-certified Hillbilly Rock and Platinum-certified This One’s Gonna Hurt You as well as GRAMMY® Award-winning anthems, including “The Whiskey Ain’t Workin’” [with Travis Tritt] and “Same Old Train.” Immersing himself in the world of film and television, he notably scored All The Pretty Horses, garnering a Golden Globe® Award nomination for “Best Original Score” and earning GRAMMY® Awards in the category of “Best Country Instrumental Performance” for “Foggy Mountain Breakdown” and “Hummingbyrd.” Recently, 2023’s Altitude incited widespread critical applause. Of the latter, Associated Press applauded how, “Guitarist Kenny Vaughan, drummer Harry Stinson and bassist Chris Scruggs match Stuart’s guitar virtuosity, with thrilling results,” and American Songwriter attested, “Altitude finds Stuart putting his own stamp on a traditional vein of country.” NPR put it best, “For millions, Marty Stuart is the very image of country music—splendid jackets, musical mastery and his respect for country’s traditions and a good jolt of humor.” You’d be hard pressed to find a corner of country music he hasn’t impacted though. Speaking to his influence, he hosted the long-running fan favorite television series The Marty Stuart Show and notably remains a member of the Country Music Foundation and Grand Ole Opry. Moreover, the Country Music Hall of Fame inducted him during 2020. He also curated and launched Marty Stuart’s Congress of Country Music in Philadelphia, MS, preserving and celebrating the genre and its history. Joined by his longtime band The Fabulous Superlatives, he cruises into another stratosphere with his first-ever full-length double LP of original instrumentals entitled, Space Junk. The cover art of Space Junk is a painting by Stuart’s longtime hero and pal, Herb Alpert, leader of the Tijuana Bass, a group Stuart considers to be one of the greatest instrumental bands of all time. The inimitable interplay between Marty, Kenny Vaughan, Harry Stinson, and Chris Scruggs fuels this cosmic cowboy trip with sun-kissed surf guitar, breezy California rhythms, soul stirring steel, and fluid fretwork all-around. Space Junk sounds like country music’s preeminent band crash landing on a Malibu beach and performing the most epic jam you’ve ever witnessed by starlight…

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Artist Information

With legends like George Jones, Johnny Cash and Merle Haggard all passed on, country music purists often echo the question Jones himself asked: “Who’s going to fill their shoes?” The answer, in part, is Marty Stuart.
 
While he’s too gracious to admit it himself, the Grammy-winning singer, songwriter and musician is living, breathing country-music history. He’s played alongside the masters, from Cash to Lester Flatt, who discovered him; been a worldwide ambassador for Nashville, Bakersfield and points in between; and safeguarded country’s most valuable traditions and physical artifacts. Including its literal shoes: Stuart counts the brogan of Carter Family patriarch A.P. Carter and an assortment of Cash’s black boots among his vast collection of memorabilia.
 
But most importantly, Stuart continues to record and release keenly relevant music, records that honor country’s rich legacy while advancing it into the future. Way Out West, his 18th studio album, hits both of those marks. Produced by Mike Campbell (of Tom Petty and the Heartbreakers), the album is a cinematic tour-de-force, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist.
 
Opening with a Native American prayer, a nod to Stuart’s affinity for the indigenous people, particularly the Lakota, Way Out West transports the listener to the lonely but magical American West. It is, in its own way, musical peyote.
 
“If you go and sit by yourself in the middle of the Mojave Desert at sundown and you’re still the same person the next morning when the sun comes up, I’d be greatly surprised,” says Stuart. “It is that spirit world of the West that enchants me.”
 
Specifically the promised land of California. Growing up in Philadelphia, Mississippi, Stuart was taken by the mystique of the Golden State: the culture, the movies and especially the music. “Everything that came out of California captivated my kid mind in Mississippi,” he says. “It seemed like a fantasy land. Way Out West is a love letter to that.”
 
As such, the album could only be recorded there, and Stuart, with his longtime backing band the Fabulous Superlatives, decamped for California. They recorded half of the album at Capitol Records and the rest at Campbell’s M.C. Studio, a gritty space with a vibe all its own. Much of the early Heartbreakers music was recorded at Campbell’s and that primal rock & roll energy is palpable throughout Way Out West, reinforced by Capitol’s own rock history: the Hollywood studio birthed iconic records like the Beach Boys’ Pet Sounds and the country-rock of Glen Campbell’s Wichita LinemanWay Out West, with its atmospheric production, evokes those classics, as well as cowboy records like Marty Robbins’ Gunfighter Ballads and Trail Songs and Cash’s The Fabulous Johnny Cash, one of the first albums Stuart ever owned.
 
“This is a California record, and I knew that when I emerged from the studio at night, I wanted to see palm trees and breathe that desert air,” says Stuart.
 
Listeners too can feel the warmth of those Santa Ana winds over the album’s 15 tracks, a collection of newly written originals, instrumentals and rare covers like the Benny Goodman-penned “Air Mail Special,” and “Lost on the Desert,” once recorded by Johnny Cash.
 
“I asked Johnny about that song when I was in his band, and he said the only thing he remembered about it was changing some words,” laughs Stuart. “But Way Out West just as easily could have been titled Lost on the Desert.”
 
The idea of losing oneself runs through Way Out West, with the title track both a spiritual adventure and a cautionary tale – Stuart wraps up the travel ballad with a spoken aside about his own bad trips with pills.
 
“I researched that for 30 years,” he jokes, self-deprecatingly. “There’s a lot of truth in that song.”
 
The rollicking standout “Time Don’t Wait” also offers a warning: to not let life race by. “As the dirt fell through my fingers / the wind it seemed to say / don’t put off until tomorrow, what you can today,” sings Stuart. “That’s just country wisdom. I can’t claim that. But I like when you can talk about the simple things that are around us. That makes country music come to life for me,” he says.
 
When it comes to transforming country songs into tangible experience, Stuart has a secret weapon: the Fabulous Superlatives. Made up of guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs, the Superlatives are an extension of Stuart himself.
 
“The Superlatives are missionaries, they’re fighting partners. They’re my Buckaroos, my Tennessee Three, my Strangers. They’re my legacy band and have been since Day One,” says Stuart.
 
Along with the playing of Mike Campbell, who contributed guitar, B-3 organ and piano, the Fabulous Superlatives are all over Way Out West and ensure that the mystical detours Stuart explores always remain of the moment.
 
As Stuart himself will tell you, he often ventures off the reservation  – in a way, his entire career has been “way out west.” While other artists chased popular trends in the name of radio play, he formed complete bodies of work, not unlike the greats he idolized. Way Out West is just the latest embodiment of that creative mission.
 
“I would play this record for Hank Williams, Merle Haggard or Ernest Hemingway and never bat an eye,” says Stuart. “There’s something in there that would entertain each of them.”
 
But Stuart also made Way Out West for those who come after. As he sees it, there is no greater responsibility in music than to share what you’ve learned.
 
“Lester Flatt saw something in me and gave me his wisdom, wit and music. Johnny Cash was my best friend. But all of that doesn’t come for free. The job is to pass it along,” says Stuart, stretching out his arms. “That’s the way it’s supposed to be in country music.”
 
With Way Out West, Stuart holds up his end of the deal.
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*Service and handling fees are added to the price of each ticket.
  • Thu, February 19, 2026
  • 8:00 PM 7:00 PM
  • Wed, Sep 24, 2025 12:00 PM
  • 21 & Over
  • Key West Theater
  • Coming Soon