Arielle, live in the Key West Theater's Back Stage Listening Room located in the heart of downtown just blocks from Duval Street. Doors at 6PM, Show at 7PM. The Key West Theater offers seated cocktail service with a full bar. **THIS IS A FULL CAPACITY PERFORMANCE** Arielle will be offering a guitar clinic at The Grateful Guitar, located in Key West Theater, on February 17th at 11:00A. Tickets for Arielle's guitar clinic can be purchased by calling The Grateful Guitar (305) 453-6413 or by visiting the shop at 512 Eaton Street. Combo tickets (show 2/16 + clinic 2/17) are also available through Key West Theater.
A singer, a songwriter, a musician, an activist, Arielle is a believer, a seer, an engineer, an innovator. She’s a natural born talent with a proficiency for mind-bending musicianship, on par with the world’s finest. Whether it’s a sustained single note or an extended instrumental passage, whether it’s drenched in blues, ascending the mountaintops of rock or exploring the great wide open, her music makes you feel something. With soul-baring lyrics and melodies that burrow in your brain, she effortlessly emotes refrains with a four-octave range. It resonates, it reverberates, it nourishes the great escape. Born in New Jersey, and raised in California and Hawaii, Arielle's musical journey began at the age of 5 when she joined the Peninsula Girls Chorus of California. It was a magical moment only equaled when she got her first guitar at the age of ten. It was as if she had found her soul mate. She found herself at ease with the way music could speak. A child prodigy, though she didn’t relate to its perceived vanity, only to its life-affirming musicality, she attained a degree from Musician’s Institute in L.A. and continued her education at London’s Institute of Contemporary Music Performance. Discovered in 2010 by guitarist Nuno Bettencourt, known for his work with Extreme and Rihanna, she signed with an indie record label. In the years that followed, she made a name for herself touring throughout North America and the UK, opening and playing with Heart, Joan Jett, Graham Nash, Country Joe McDonald, Joe Bonamassa, Guns N’ Roses, members of Deep Purple, Billy Ray Cyrus, Eric Johnson, Gregg Allman, and Cee Lo Green, which included a main stage slot at Coachella. Good fortune ensued when Arielle was handpicked by guitarist Brian May for a key role in the London-based musical, "We Will Rock You,” a production based on the songs of his band Queen. It was an incredible opportunity that allowed her to explore new horizons. The notoriety and acclaim she received from her performances for one of West End’s most-beloved, and longest-running musicals, was a great accomplishment, and one that helped her grow, personally, and professionally, as more successes soon followed. From the cover of Guitar Player Magazine, to being recognized by country superstar Vince Gill as one of the 'Top 5 Best New Guitarists,' to being cast as a guitar player on the hit TV show Nashville, to ascending to No. 3 on the CMT Pure chart with the song “California,” it seemed like Arielle was living the dream but not everything was really what it seemed. Arielle had spread her wings and soared with a newfound freedom, but there continued to be a glass ceiling she kept bumping up against, being a woman in the music business. It first started when she was 16 when she took a job at a music store but wasn't allowed to sell guitars as the girls were only allowed to "water the plants." This continued when she became one of only two women in a class of 2,000 at Musician's Institute. Before long, she had a teacher tell her that she "should just wear a skirt and push-up bra because that was the only way she would get attention.” It was unbearable and untenable. She recalls the frustration and the despair, "I had a record deal and gave a lot of myself away - I looked like someone who wasn't me. I used my body and my 'attractiveness' to get me where I wanted. I spent a LOT of time being broke, struggling, filing for bankruptcy, living in my car. I grappled with being overweight and then with anorexia, having to go to rehab for it. Always felt like I didn't belong. I was never blonde. Was never tall enough, and wasn't sexy enough.” Enough was enough. Arielle left the label and moved forward as an independent artist. In 2015, she released her debut album, The Whale, followed by two EPs in 2017, Interim and My Gypsy Heart, who’s title track features Eric Johnson. 2018 bore more fruit with the release of "Mind Lion,” the title of her new EP, and a self-actualized representation of her manifestation. "Like a lion, a part of my mind was wild and ferocious, wielding quite a lot of power. I realized and determined that I wanted to use the energy for good to help me achieve what I want. It’s about finding peace and okay-ness in the moment, no matter what. It's important to find happiness as a choice, not something that falls upon me.” The resulting work was a tremendous success, logging seven weeks on the Billboard 'Independent Album' chart while also garnering critical acclaim, eliciting comparisons to songbirds Karen Carpenter and Eva Cassidy while also bringing to mind Maggie Rogers and Margo Price. American Blues Scene noted "her stellar vocal range,” while Ink 19 championed her as “an up-and-coming songstress who possesses a calm, cool confidence beyond her years and rivals any seasoned musician." In addition to writing and playing music, one of her passions is guitars, themselves. Her pride and joy is "Two-Tone,” an extraordinary one-of-a-kind guitar she painstakingly designed, and hand-built, with her friend Patrick Yates. Named for its two-tone color and inclusion of two tone knobs, it's an homage to her favorite guitars. Borrowing the ebony fretboard of a Les Paul, the long-scale neck and reverse headstock of a BC Rich Warlock, Steinberger Tuners, the Pickups/Selectors/Switches from Brian May’s iconic Red Special, the Tremolo/Bridge System from a Fender Jagmaster, and a noise-canceling silencer from Ilitch Electronics, Two-Tone is bound together with recycled Korina wood often referred to as “super mahogany.” It’s a visionary work of art and one that's the signature showpiece for "Arielle Guitars,” a custom line of instruments made for women. Taking control of her destiny was a transcendent moment in her personal and professional development and one that extends to her compassionate support for animals and environmental issues, in particular, marine life and the ocean. A few years ago, she joined her brothers and sisters in musical arms to protest dolphin slaughter at an event in Taiji, a small Japanese town on the Pacific Ocean. It was very rewarding and she will continue to use her platform to raise awareness, and give back. It brings her back to the reason she's determined, against all currents, to share her gifts with the world. The human story. Not the morning glory. "The thing with me was never to be a rockstar or get a lot of recognition. I get inspired by helping other people. Being genuine, being open, and raw. The hardships and the insecurities are the reasons why I’m able to be vulnerable and real in music. I like for the representation of me to have imperfections in it. I don’t want to hide; I want it to make sense when people hear the music. If I went through it and it was that hard, it is meant for me to share it with others who have been through it. I love making connections and then watching it even go even further, to help others heal, to inspire.” Gender, race, religion and orientation shouldn’t be a part of the equation. “It can be about the MUSIC. It can be about heart. It can break the confines of what we believe is possible to help create a better tomorrow." Her gypsy heart has a purpose, to help sow the seeds of a more fully realized humanity. It’s a stream, soon to be a sea.
*Service and handling fees are added to the price of each ticket.